Bronislaw Malinowski · 1926 · First edition, W. W. Norton & Company, New York, 1926 (The New Science Series, Vol. I; Archive.org mythinprimitivep0000bron, DjVu text layer) · Public Domain · uncorrected OCR — being verified against the scan
Trobriand fieldwork 1915-18; delivered in honour of Sir James Frazer at Liverpool, November 1925; published 1926 as Vol. I of Norton's New Science Series.
Served verbatim, era-bound vocabulary and all — the house frames, it never
paraphrases; what a passage does and does not show rides its receipt.
Chapter 1. The Role of Myth in Life
By the examination of a typical Melanesian
culture and by a survey of the opinions, tradi-
tions, and behaviour of these natives, I propose
to show how deeply the sacred tradition, the
myth, enters into their pursuits, and how
strongly it controls their moral and social be-
haviour. In other words, the thesis of the
present work is that an intimate connection
exists between the word, the mythos, the sacred
tales of a tribe on the one hand, and their ritual
acts, their moral deeds, their social organization,
and even their practical activities on the other.
In order to gain a background for our de-
scription of the Melanesian facts, I shall briefly
summarize the present state of the science of
mythology. Even a superficial survey of the
literature would reveal that there is no monotony
to complain of as regards the variety of opinions
or the acrimony of polemics. ‘To take only the
recent up-to-date-theories advanced in explana-
tion of the nature of myth, legend, and fairy-
tale, we should have to head the list, at least as
regards output and self-assertion, by the so-called
school of Nature-mythology which flourishes
mainly in Germany. The writers of the school
maintain that primitive man is highly interested
in natural phenomena, and that his interest is pre-
_, dominantly of a theoretical, contemplative, and
poetical character. In trying to express and in-
terpret the phases of the moon, or the regular and
yet changing path of the sun across the skies,
primitive man constructs symbolic personified
rhapsodies. To writers of this school every myth
possesses as its kernel or ultimate reality some
natural phenomenon or other, elaborately woven
into a tale to an extent which sometimes almost
masks and obliterates it. There is not much
agreement among these students as to what type
of natural phenomenon lies at the bottom of most
mythological productions. There are extreme
lunar mythologists so completely moonstruck with
their idea that they will not admit that any other
phenomenon could lend itself to a savage rhap-
sodic interpretation except that of earth’s noctur-
nal satellite. “The Society for the Comparative
Study of Myth, founded in Berlin in 1906, and
counting among its supporters such famous schol-
ars as Ehrenreich, Siecke, Winckler, and many
others, carried on their business under the sign
of the moon. Others, like Frobenius for instance,
». vegard the sun as the only subject around which
primitive man has spun his symbolic tales. Then
there is the school of meteorological interpreters
who regard wind, weather, and colours of the
=<
skies as the essence of myth. To this belonged ~
such well-known writers of the older generation
as Max Miiller and Kuhn. Some of these de-
partmental mythologists fight fiercely for their
heavenly body or principle; others have a more
catholic taste, and prepare to agree that primeval *~
man has made his mythological brew from all the
heavenly bodies taken together.
I have tried to state fairly and plausibly this
naturalistic interpretation of myths, but as a mat-
ter of fact this theory seems to me to be one of
the most extravagant views ever advanced by an
anthropologist or humanist—and that means a
great deal. It has received an absolutely de-
structive criticism from the great psychologist
‘Wundt, and appears absolutely untenable in the
light of any of Sir James Frazer’s writings.
From my own study of living myths among sav-
ages, I should say that primitive man has to a
very limited extent the purely artistic or scien-
tific interest in nature; there is but little room
for symbolism in his ideas and tales; and myth,
in fact, is not an idle rhapsody, not an aimless
outpouring of vain imaginings, but a hard-
working, extremely i important cultural force. Be-
sides ignoring the cultural function of myth, this
theory imputes to primitive man a number of
imaginary interests, and it confuses several clearly
3
ie
distinguishable types of story, the fairy tale,the
legend,’ the saga, andthe sacred tale or myth.
In strong contrast to this theory which makes
myth naturalistic, symbolic, and imaginary,
stands the theory which regards a sacred tale as
a true historical record of the past. “This view,
recently supported by the so-called Historical
School in Germany and America, and represented
in England by Dr. Rivers, covers but part of
the truth. There is no denying that history, as
well as natural environment, must have left a
profound imprint on all cultural achievements,
hence also on myths. But to take all mythology
as mere chronicle is as incorrect as to regard
it as the primitive naturalist’s musings. It also
endows primitive man with a sort of scientific
impulse and desire for knowledge. Although the
savage has something of the antiquarian as well
as of the naturalist in his composition, he is,
above all, actively engaged-in a number of prac-
tical pursuits, and has to struggle with various
difficulties; all his interests are tuned up to this
’ general pragmatic outlook. Mythology, the
sacred lore of the tribe, is, as we shall see, a
powerful means of assisting primitive man, of
allowing him to make the two ends of his cul-
tural patrimony meet. We shall see, moreover,
that the immense services to primitive culture
performed by myth are done in connection with
religious ritual, moral influence, and sociological
eeTLind A\,IN
principle. Now religion and morals draw only
to a very limited extent upon an interest in
science or in past history, and myth is thus
based upon an entirely different mental attitude.
The close connection between religion and
myth which has been overlooked by many stu-
dents has been recognized by others. Psycholo-
gists like Durkheim, Hubert, and Mauss, an-
thropologists like Crawley, classical scholars like
Miss Jane Harrison have all understood the in-)
timate association between myth and ritual, be-
tween sacred tradition and the norms of social |
structure. All of these writers have been to a
greater or lesser extent influenced by the work of
Sir James Frazer. In spite of the fact that the
great British anthropologist, as well as most of his
followers, have a clear vision of the sociological
and ritual importance of myth, the facts which I
shall present will allow us to clarify and formu-
late more precisely the main principles of a socio-
logical theory of myth. Tie eae
I might present an even more extensive survey
of the opinions, divisions, and controversies of
learned mythologists. ‘The science of mythology
has been the meeting-point of various scholar-
ships: the classical humanist must decide for
himself whether Zeus is the moon, or the sun,
or a strictly historical personality; and whether
his ox-eyed spouse is the morning star, or a cow,
or a personification of the wind—the loquacity
of wives being proverbial. ‘Then all these ques-.
tions have to be re-discussed upon the stage of:
mythology by the various tribes of archeologists,
Chaldean and Egyptian, Indian and Chinese,
Peruvian and Mayan. ‘The historian and the
sociologist, the student of literature, the gram-
marian, the Germanist and the Romanist, the
Celtic scholar and the Slavist discuss, each little
crowd among themselves. Nor is mythology
quite safe from logicians and psychologists, from
the metaphysician and the epistemologist—to say
nothing of such visitors as the theosophist, the
modern astrologist, and the Christian Scientist.
Finally, we have the psycho-analyst who has
come at last to teach us that the myth is a day-
dream of the race, and that we can only explain
it by turning our back upon nature, history, and
culture, and diving deep into the dark pools of
the sub-conscious, where at the bottom there lie
the usual paraphernalia and symbols of psycho-
analytic exegesis. So that when at last the poor
anthropologist and student of folk-lore come to
the feast, there are hardly any crumbs left for
them !
If I have conveyed an impression of chaos and
confusion, if I have inspired a sinking feeling
towards the incredible mythological controversy
with all the dust and din which it raises, I have
achieved exactly what I wanted. For I shall
invite my readers to step outside the closed study
of the theorist into the open air of the anthropo-
logical field, and to follow me in my mental flight
back to the years which I spent among a Mela-
nesian tribe of New Guinea. ‘There, paddling
on the lagoon, watching the natives under the
blazing sun at their garden-work, following
them through the patches of jungle, and on the
winding beaches and reefs, we shall learn about
their life. And again, observing their ceremonies
in the cool of the afternoon or in the shadows
of the evening, sharing their meals round their
fires, we shall be able to listen to their stories.
For the anthropologist—one and only among
the many participants in the mythological con-
test—has the unique advantage of being able to
step back behind the savage whenever he feels
that his theories become involved and the flow of
his argumentative eloquence runs dry. ‘The
anthropologist is not bound to the scanty rem-
nants of culture, broken tablets, tarnished texts,
or fragmentary inscriptions. He need not fill
out immense gaps with voluminous, but conjec-
tural, comments. The anthropologist has the
myth-maker at his elbow. Not only can he take
down as full a text as exists, with all its varia-
tions, and control it over and over; he has also
a host of authentic commentators to draw upon;
still more he has the fulness of life itself from
which the myth has been born. And as we shall
see, in this live context there is as much to be
bur
learned about the myth as in the narrative itself.
Myth as it exists in a savage community, that
is, in its living primitive form, is not merely a
story told but a reality lived. It is not of the
nature of fiction, such as we read to-day in a
novel, but it is a living reality, believed to have
once happened in primeval times, and continuing
_ ever since to influence the world and human des-
tinies. This myth is to the savage what, to a
fully believing Christian, is the Biblical story
of Creation, of the Fall, of the Redemption by
Christ’s Sacrifice on the Cross. As our sacred
story lives in our ritual, in our morality, as it
governs our faith and controls our conduct, even
so does his myth for the savage.
~~ The limitation of the study of myth to the
mere examination of texts has been fatal to a
proper understanding of its nature. ‘The forms
of myth which come to us from classical antiquity
and from the ancient sacred books of the East
and other similar sources have come down to us
without the context of living faith, without the
possibility of obtaining comments from true be-
lievers, without the concomitant knowledge of
their social organization, their practised morals,
and their popular customs—at least without the
full information which the modern field-worker
can easily obtain. Moreover, there is no doubt
that in their present literary form these tales
have suffered a very considerable transformation
at the hands of scribes, commentators, learned
priests, and theologians. It is necessary to go
back to primitive mythology in order to learn the
secret of its life in the study of a myth which is
still alive—before, mummified in priestly wisdom,
it has been enshrined in the indestructible but
lifeless repository of dead religions.
Studied alive, myth, as we shall see, is not
symbolic, but a direct expression of its subject-
matter; it is not an explanation in satisfaction
of a scientific interest, but a narrative resurrec-
tion of a primeval reality, told in satisfaction of
deep religious wants, moral cravings, social sub-
missions, assertions, even practical requirements.
Myth fulfils in primitive culture an indispensable
function: it expresses, enhances, and codifies be-
lief; it safeguards and enforces morality; it
aathes for the efficiency of ritual and contains
practical rules for the guidance of man. Myth «
is thus a vital ingredient of human civilization ;
it is not an idle tale, but a hard-worked active
force; it is not an intellectual explanation or an
artistic imagery, but a pragmatic charter of
primitive faith and moral wisdom.
I shall try to prove all these contentions by
the study of various myths; but to make our
analysis conclusive it will first be necessary to
give an account not merely of myth, but also of
fairy tale, legend, and historical record.
Let us then float over in spirit to the shores
of a Trobriand? lagoon, and penetrate into the
life of the natives—see them at work, see them
at play, and listen to their stories. Late in
November the wet weather is setting in. “There
is little to do in the gardens, the fishing season
is not in full swing as yet, overseas sailing looms
ahead in the future, while the festive mood still
lingers after the harvest dancing and feasting.
Sociability is in the air, time lies on their hands,
while bad weather keeps them often at home.
Let us step through the twilight of the ap-
proaching evening into one of their villages and
sit at the fireside, where the flickering light draws
more and more people as the evening falls and the
conversation brightens. Sooner or later a man
will be asked to tell a story, for this is the season
of fairy tales. If he is a good reciter, he will
1The Trobriand Islands are a coral archipelago
lying to the northeast of New Guinea. The natives
belong to the Papuo-Melanesian race, and in their
physical appearance, mental equipment, and _ social
organization they show a combinaton of the Oceanic
characteristics mixed with some features of the more
backward Papuan culture from the mainland of
New Guinea.
For a full account of the Northern Massim, of
which the Trobrianders form a section, see the classi-
cal treatise of Professor C. G. Seligman, Melanesians
of British New Guinea, (Cambridge, 1910). This
book shows also the relation of the Trobrianders to
the other races and cultures on and around New
Guinea. A short account will also be found in Argo-
nauts of the Western Pacific, by the present author,
(London, 1922).
soon provoke laughter, rejoinders, and interrup-
tions, and his tale will develop into a regular
performance.
At this time of the year folk-tales of a special
type called kukwanebu are habitually recited in
the villages. “There is a vague belief, not very
seriously taken, that their recital has a beneficial
influence on the new crops recently planted in
the gardens. In order to produce this effect, a
short ditty in which an allusion is made to some
very fertile wild plants, the kasiyena, must always
be recited at the end.
Every story is ‘owned’ by a member of the
community. Each story, though known by many,
may be recited only by the ‘owner’; he may,
however, present it to someone else by teaching
that person and authorizing him to retell it.
But not all the ‘owners’ know how to thrill and
to raise a hearty laugh, which is one of the main
ends of such stories. A good raconteur has to
change his voice in the dialogue, chant the ditties
with due temperament, gesticulate, and in general
play to the gallery. Some of these tales are cer-
tainly ‘smoking-room’ stories, of others I will give
one or two examples.
Thus there is the maiden in distress and the
heroic rescue. “wo women go out in search of
birds’ eggs. One discovers a nest under a tree,
the other warns her: “These are eggs of a
snake, don’t touch them.” “Oh, no! ‘They are
#
eggs of a bird,” she replies and carries them away.
The mother snake comes back, and finding the
nest empty starts in search of the eggs. She
enters the nearest village and sings a ditty :—
“T wend my way as I wriggle along,
The eggs of a bird it is licit to eat;
The eggs of a friend are forbidden to touch.”
This journey lasts long, for the snake is traced
from one village to the other and everywhere has
to sing her ditty. Finally, entering the village
of the two women, she sees the culprit roasting
the eggs, coils around her, and enters her body.
The victim is laid down helpless and ailing. But
the hero is nigh; a man from a neighbouring
village dreams of the dramatic situation, arrives
on the spot, pulls out the snake, cuts it to pieces,
and marries both women, thus carrying off a
double prize for his prowess.
In another story we learn of a happy family,
a father and two daughters, who sail from their
home in the northern coral archipelagoes, and run
to the southwest till they come to the wild steep
slopes of the rock island Gumasila. The father
lies down on a platform and falls asleep. An
ogre comes out of the jungle, eats the father,
captures and ravishes one of the daughters, while
the other succeeds in escaping. ‘The sister from
the woods supplies the captive one with a piece
of lawyer-cane, and when the ogre lies down and
falls asleep they cut him in half and escape.
A woman lives in the village of Okopukopu
at the head of a creek with her five children. A ~
monstrously big stingaree paddles up the creek,
flops across the village, enters the hut, and to the
tune of a ditty cuts off the woman’s finger. One
son tries to kill the monster and fails. Every
day the same performance is repeated till on the
fifth day the youngest son succeeds in killing the
giant fish.
A louse and a butterfly embark on a bit of avia-
tion, the louse as a passenger, the butterfly as
aeroplane and pilot. In the middle of the per-
formance, while flying overseas just between the
beach of Wawela and the island of Kitava, the
louse emits a loud shriek, the butterfly is shaken,
and the louse falls off and is drowned.
A man whose mother-in-law is a cannibal is
sufficiently careless to go away and leave her in
charge of his three children. Naturally she tries
to eat them; they escape in time, however, climb
a palm, and keep her (through a somewhat
lengthy story) at bay, until the father arrives and
kills her. ‘There is another story about a visit
to the Sun, another about an ogre devastating
gardens, another about a woman who was so
greedy that she stole all food at funeral distri-
butions, and many similar ones.
In this place, however, we are not so much
concentrating our attention on the text of narra-
tives, as on their sociological reference. The text,
of course, is extremely important, but without
the context it remains lifeless. As we have
seen, the interest of the story is vastly enhanced
and it is given its proper character by the manner
in which it is told. The whole nature of the
performance, the voice and the mimicry, the
stimulus and the response of the audience mean
as much to the natives as the text; and the
sociologist should take his cue from the natives.
The performance, again, has to be placed in its
proper time-setting—the hour of the day, and the
season, with the background of the sprouting gar-
dens awaiting future work, and slightly influ-
enced by the magic of the fairy tales. We must
also bear in mind the sociological context of pri-
vate ownership, the sociable function and the
cultural réle of amusing fiction. All these ele-
ments are equally relevant; all must be studied
as well as the text. ‘The stories live in native
life and not on paper, and when a scholar jots
them down without being able to evoke the at-
mosphere in which they flourish he has given us
but a mutilated bit of reality.
I pass now to another class of stories. These
have no special season, there is no stereotyped
way of telling them, and the recital has not the
character of a performance, nor has it any magical
effect. And yet these tales are more important
than the foregoing class; for they are believed to
be true, and the information which they contain
is both more valuable and more relevant than
that of the kukwanebu. When a party goes on
a distant visit or sails on an expedition, the
younger members, keenly interested in the land-
scape, in new communities, in new people, and
perhaps even new customs, will express their
wonder and make enquiries. The older and
more experienced will supply them with infor-
mation and comment, and this always takes the
form of a concrete narrative. An old man will
perhaps tell his own experiences about fights and
expeditions, about famous magic and extraor-
dinary economic achievements. With this he
may mix the reminiscences of his father, hearsay
tales and legends, which have passed through
many generations. Thus memories of great
droughts and devastating famines are conserved
for many years, together with the descriptions
of the hardships, struggles, and crimes of the
exasperated population.
A number of stories about sailors driven out
of their course and landing among cannibals and
hostile tribes are remembered, some of them set
to song, others formed into historic legends.
A famous subject for song and story is the charm,
skill, and performance of famous dancers. ‘There
are tales about distant volcanic islands; about
hot springs in which once a party of unwary
bathers were boiled to death; about mysterious
countries inhabited by entirely different men or
women; about strange adventures which have
happened to sailors in distant seas; monstrous
fish and octopi, jumping rocks and disguised sor-
cerers. Stories again are told, some recent, some
ancient, about seers and visitors to the land of the
dead, enumerating their most famous and sig-
nificant exploits. There are also stories asso-
ciated with natural phenomena; a petrified canoe,
a man changed into a rock, and a red patch on
the coral rock left by a party who ate too much
betel nut.
We have here a variety of tales which might
be subdivided into historical accounts directly
witnessed by the narrator, or at least vouched for
by someone within living memory; legends, in
which the continuity of testimony is broken, but
which fall within the range of things ordinarily
experienced by the tribesmen; and hearsay tales
about distant countries and ancient happenings
of a time which falls outside the range of present-
day culture. To the natives, however, all these
classes imperceptibly shade into each other; they
are designated by the same name, libwogwo; they
are all regarded as true; they are not recited as
a performance, nor told for amusement at a
special season. ‘Their subject-matter also shows
a substantial unity. They all refer to subjects
intensely stimulating to the natives; they all are
connected with activities such as economic pur-
suits, warfare, adventure, success in dancing and
in ceremonial exchange. Moreover, since they
record singularly great achievements in all such
pursuits, they redound to the credit of some indi-
vidual and his descendants or of a whole com-
munity; and hence they are kept alive by the
ambition of those whose ancestry they glorify.
The stories told in explanation of peculiarities
of features of the landscape frequently have a
sociological context, that is, they enumerate
whose clan or family performed the deed. When
this is not the casé, they are isolated fragmentary
comments upon some natural feature, clinging to
it as an obvious survival.
In all this it is once more clear that we can
neither fully grasp the meaning of the text, nor
the sociological nature of the story, nor the
natives’ attitude towards it and interest in it, if
we study the narrative on paper. ‘These tales
live in the memory of man, in the way in which
they are told, and even more in the complex inter-
est which keeps them alive, which makes the nar-
rator recite with pride or regret, which makes
the listener follow eagerly, wistfully, with hopes
and ambitions roused. ‘Thus the essence of a
legend, even more than that of a fairy tale, is not
to be found in a mere perusal of the story, but
in the combined study of the narrative and its
~
context in the social and cultural life of the
natives.
But it is only when we pass to the third and
most important class of tales, the sacred tales or
myths, and contrast them with the legends, that
the nature of all three classes comes into relief.
This third class is called by the natives liliu, and
I want to emphasize that I am reproducing prima
facie the natives’ own classification and nomen-
clature, and limiting myself to a few comments
on its accuracy. ‘The third class of stories stands
very much apart from the other two. If the
first are told for amusement, the second to make
a serious statement and satisfy social ambition,
the third are regarded, not merely as true, but
as venerable and sacred, and they play a highly
important cultural part. The folk-tale, as we
know, is a seasonal performance and an act of
sociability. The legend, provoked by contact
with unusual reality, opens up past historical
vistas. “The myth comes into play when rite,
ceremony, or a social or moral rule demands
justification, warrant of antiquity, reality, and
sanctity.
In the subsequent chapters of this book we will
examine a number of myths in detail, but for the
moment let us glance at the subjects of some
typical myths. Take, for instance, the annual
feast of the return of the dead. Elaborate ar-
rangements are made for it, especially an enor-
mous display of food. When this feast
approaches, tales are told of how death began
to chastise man, and how the_power of eternal
rejuvenation was lost. It is told why the spirits
have to leave the village and do not remain at
the fireside, finally why they return once in a
year. Again, at certain seasons in preparation
for an overseas expedition, canoes are overhauled
and new ones built to the accompaniment of
a special magic. In this there are mythological
allusions in the spells, and even the sacred acts
contain elements which are only comprehensible
when the story of the flying canoe, its ritual and
its magic are told. In connection with ceremonial
trading, the rules, the magic, even the geographi-
cal routes are associated with corresponding
mythology. There is no important Magic, ne no
geremony, no “Titual without belief ; and the
belief is spun out into accounts oA concrete
precedent. ‘The union is very intimate, for myth
is not only looked upon as a commentary of
additional information, but it is a warrant, a
charter, and often even a practical guide to the
activities with which it is connected. On the
- other hand the rituals, ceremonies, customs, and
social organizations contain at times direct refer-
ences to myth, and they are regarded as the re-
sults_of sults of mythical ¢ event. The cultural fact is a
monument in which the myth is embodied; while
the myth is believed to be the real cause which
wl
a.
G
ot
has brought about the moral rule, the social
grouping, the rite, or the custom. ‘Thus these
stories form an integral part of culture. Their
existence and influence not merely transcend the
act of telling the narrative, not only do they
draw their substance from life and its interests—
they govern and control many cultural features,
they form the dogmatic backbone of primitive
civilization.
This is perhaps the most important point of
the thesis which I am urging: I maintain that
there exists a special class of stories,/regarded as
sacred,& embodied in ritual,¥ morals, “and_ social
organization, and which form an integral and
active part of primitive culture. ‘These stories
ive not by idle interest, not as fictitious or even
as true narratives; but are to the natives a state-
ment of a primeval, greater, and _more relevant
eee ag PSN eg
reality, by which the present life, fates, and actiyi-
ties of mankind are determined, the knowledge
of which supplies man with the motive for ritual
pI SU NRG ee cre RNR RENE din al
and. moral actions, as well as with indications as
“ Paap aa eaten keer mie nf aeem tenn ea tr cn phen aR
to how to perform them.
In order to make the point at issue quite clear,
let us once more compare our conclusions with
the current views of modern anthropology, not
in order idly to criticize other opinions, but so
that we may link our results to the present state
of knowledge, give due acknowledgment for what
—
we have received, and state where we have to
differ clearly and precisely.
It will be best to quote a condensed and
authoritative statement, and I shall choose for
this purpose the definition and analysis given in
Notes and Queries on Anthropology, by the late
Miss C. S. Burne and Professor J. L. Myres.
we are informed that “this section includes many
intellectual efforts of peoples. ...” which “‘repre-
sent the earliest attempts to exercise reason,
imagination, and memory.” With some ‘appre-
hension we ask where is left the emotion, the
interest, and ambition, the social réle of all the
stories, and the deep connection with cultural
values of the more serious ones? After a brief
classification of stories in the usual manner we
read about the sacred tales: “Myths are stories
which, however marvellous and improbable to
us, are nevertheless related in all good faith,
because they are intended, or believed by the
teller, to explain by means of something concrete
and intelligible an abstract idea or such vague
and difficult conceptions as Creation, Death, dis-
tinctions of race or animal species, the different
occupations of men and women; the origins of
rites and customs, or striking natural objects or |
prehistoric monuments; the meaning of the names |
of persons or places. Such stories are sometimes |
| described as etiological, because their purpose is
| to explain why something exists or happens. ie
Here we have in a nutshell all that modern
science at its best has to say upon the subject. ~*~
Would our Melanesians agree, however, with
this opinion? Certainly not. They do not want
to ‘explain’, to make ‘intelligible’ anything which
happens in their myths—above all not an abstract
idea. Of that there can be found to my knowl-
edge no instance either in Melanesia or in any
other savage community. The few abstract ideas
which the natives possess carry their concrete
commentary in the very word which expresses
them. When being is described by verbs to lie,
to sit, to stand, when cause and effect are ex-
pressed by words signifying foundation and the
past standing upon it, when various concrete
nouns tend towards the meaning of space, the
word and the relation to concrete reality make
the abstract idea sufficiently ‘intelligible’. Nor
would a Trobriander or any other native agree
with the view that “Creation, Death, distinctions
of race or animal species, the different occupations
of men and women” are “vague and difficult
conceptions”. Nothing is more familiar to the
native than the different occupations of the male
and female sex; there is nothing to be explained
about it. But though familiar, such differences
1 Quoted from Notes and Queries on Anthropology,
pp. 210 and arr.
fe
are at times irksome, unpleasant, or at least lim-
iting, and there is the need to justify them, to
vouch for their antiquity and reality, in short to
buttress their validity. Death, alas, is not vague,
or abstract, or difficult to grasp for any human
being. It is only too hauntingly real, too con-
crete, too easy to comprehend for anyone who
has had an experience affecting his near relatives
or a personal foreboding. If it were vague or
unreal, man Raed have no desire so much as
with with horror, with a “desire to to remove i its threat,
plained, but ae explained _ away, Cue: ‘un-
real, and actually denied. Myth, warranting the
belief in immortality, in eternal youth, in a life
beyond the grave, is not an intellectual reaction
upon a puzzle, but an explicit act of faith born
from the innermost instinctive and emotional
reaction to the most formidable and haunting
idea. Nor are the stories about “the origins of
rites and customs” told in mere explanation of
them. They never explain in any sense of the
word; they always state a precedent which con-
stitutes an ideal and a warrant for its continu-
ance, and sometimes practical directions for the
procedure.
We have, therefore, to disagree on every point
with this excellent though concise statement of
present-day mythological opinion. This defini-
tion would create an imaginary, non-existent
class of narrative, the ztiological myth, corre-
sponding to a non-existent desire to explain,
leading a futile existence as an ‘intellectual
effort’, and remaining outside native culture and
social organization with their pragmatic inter-
ests. "The whole treatment appears to us faulty,
because myths are treated as mere stories, because
they are regarded as a primitive intellectual arm-
chair occupation, because they are torn out of their
ife-context, and studied from what they look
like on paper, and not from what they do in life.
Such a definition would make it impossible either
to see clearly the nature of myth or to reach a
satisfactory classification of folk-tales. In fact
we would also have to disagree with the definition
of legend and of fairy tale given subsequently by
the writers in Notes and Queries on Anthro-
pology.
But above all, this point of view would be
fatal to efficient field-work, for it would make the
observer satisfied with the mere writing down
of narratives. ‘The intellectual nature of a story
is exhausted with its text, but the functional, cul-
tural, and pragmatic aspect of any native tale is
manifested as much in its enactment, embodiment,
and contextual relations as in the text. It is
easier to write down the story than to observe
the diffuse, complex ways in which it enters into
life, or to study its function by the observation
of the vast social and cultural realities into which
it enters. And this is the reason why we have so
many texts and why we know so little about the
very nature of myth.
We may, therefore, learn an important lesson
from the Trobrianders, and to them let us now
return. We will survey some of their myths in
detail, so that we can confirm our conclusions
inductively, yet precisely.
Chapter 2. Myths of Origin
We may best start with the beginning of
things, and examine some of the myths of origin.
The world, say the natives, was originally peo-
pled from underground. Humanity had there
led an existence similar in all respects to the
present life on earth. Underground, men were
organized in villages, clans, districts; they had
distinctions of rank, they knew privileges and
had claims, they owned property, and were versed
in magic lore. Endowed with all this, they
emerged, establishing by this very act certain
rights in land and citizenship, in economic pre-
rogative and magical pursuit. ‘They brought
with them all their culture to continue it upon
this earth.
There are a number of special spots—grottoes,
clumps of trees, stone heaps, coral outcrops,
springs, heads of creeks—called ‘holes’ or
‘houses’ by the natives. From such ‘holes’ the
first couples (a sister as the head of the family
and the brother as her guardian) came and took
possession of the lands, and gave the totemic,
industrial, magical, and sociological character
to the communities thus begun.
The problem of rank which plays a great réle
in their sociology was settled by the emergence
from one special hole, called Obukula, near the
village of Laba’i. This event was notable in that
contrary to the usual course (which is: one
original ‘hole’, one lineage), from this hole of
Laba’i there emerged representatives of the four
main clans one after the other. Their arrival,
moreover, was followed by an apparently trivial,
but in mythical reality, a most important event.
First there came the Kaylavasi (iguana), the ani-
mal of the Lukulabuta clan, which scratched its
way through the earth as iguanas do, then climbed
a tree, and remained there as a mere onlooker,
following subsequent events. Soon there came
out the Dog, totem of the Lukuba clan, who
originally had the highest rank. As a third came
the Pig, representative of the Malasi clan, which
now holds the highest rank. Last came the
Lukwasisiga totem, represented in some versions
by the Crocodile, in others by the Snake, in others
by the Opossum, and sometimes completely ig-
nored. ‘The Dog and Pig ran round, and the
Dog, seeing the fruit of the nokw plant, nosed it,
and then ate it. Said the Pig: ‘Thou eatest
noku, thou eatest dirt; thou art a low-bred, a
commoner ; the chief, the guya’u, shall be I.” And
ever since, the highest sub-clan of the Malasi clan,
the Tabalu, have been the real chiefs.
In order to understand this myth, it is not
enough to follow the dialogue between the Dog
and the Pig which might appear pointless or even
trivial. Once you know the native sociology, the
extreme importance of rank, the fact that food
and its limitations (the taboos of rank and clan)
are the main index of man’s social nature, and
finally the psychology of totemic identification—
you begin to understand. how this incident, hap-
pening as it did when humanity was in statu
nascendi, settled once for all the relation between
the two rival clans. To understand this myth
you must have a good knowledge of their
sociology, religion, customs, and outlook. ‘Then,
and only then, can you appreciate what this story
means to the natives and how it can live in their
life. If you stayed among them and learned the
language you would constantly find it active in
discussion and squabbles in reference to the rela-
tive superiority of the various clans, and in the
discussions about the various food taboos which
frequently raise fine questions of casuistry.
Above all, if you were brought into contact with
communities where the historical process of the
spread of influence of the Malasi clan is still in
evolution, you would be brought face to face with
this myth as an active force.
Remarkably enough the first and last animals
to come out, the iguana and the Lukwasisiga
totem, have been from the beginning left in the
cold: thus the numerical principle and the logic
of events is not very strictly observed in the
reasoning of the myth.
If the main myth of Laba’i about the relative
superiority of the four clans is very often alluded
to throughout the tribe, the minor local myths
are not less alive and active, each in its own com-
munity. When a party arrives at some distant
village they will be told not only the legendary
historical tales, but above all the mythological
charter of that community, its magical profi-
ciencies, its occupational character, its rank and
place in totemic organization. Should there
arise land-quarrels, encroachment in magical
matters, fishing rights, or other privileges the
testimony of myth would be referred to.
Let me show concretely the way in which a
typical myth of local origins would be retailed in
the normal run of native life. Let us watch a
party of visitors arriving in one or the other of
the Trobriand villages. They would seat them-
selves in front of the headman’s house, in the
central place of the locality. As likely as not
the spot of origins is near by, marked by a coral
outcrop or a heap of stones. ‘This spot would
be pointed out, the names of the brother and
sister ancestors mentioned, and perhaps it would
be said that the man built his house on the spot
of the present headman’s dwelling. ‘The native
listeners would know, of course, that the sister
lived in a different house near by, for she could
never reside within the same walls as her brother.
As additional information, the visitors might
be told that the ancestors had brought with them
the substances and paraphernalia and methods of
local industry. In the village of Yalaka, for
instance, it would be the processes for burning
lime from shells. In Okobobo, Obweria, and
Obowada the ancestors brought the knowledge
and the implements for polishing hard stone. In
Bwoytalu the carver’s tool, the hafted shark
tooth, and the knowledge of the art came out
from underground with the original ancestors.
In most places the economic monopolies are thus
traced to the autochthonous emergence. In vil-
lages of higher rank the insignia of hereditary
dignity were brought; in others some animal asso-
ciated with the local sub-clan came out. Some
communities started on their political career of
standing hostility to one another from the very
beginning. The most important gift to this
world carried from the one below is always
magic; but this will have to be treated later on
and more fully.
If a European bystander were there and heard
nothing but the information given from one
native to the other, it would mean very little
to him. In fact, it might lead him into serious
misunderstandings. Thus the simultaneous
emergence of brother and sister might make him
suspicious either of a mythological allusion to
incest, or else would make him look for the
original matrimonial pair and enquire about the
sister's husband. ‘The first suspicion would be
entirely erroneous, and would shed a false light
over the specific relation between brother and
sister, in which the former is the indispensable
guardian, and the second, equally indispensable,
is responsible for the transmission of the line.
Only a full knowledge of matrilineal ideas and
institutions gives body and meaning to the bare
mention of the two ancestral names, so signifi-
cant to a native listener. If the European were
to enquire who was the sister’s husband and
how she came to have children, he would soon
find himself once more confronted by an entirely
foreign set of ideas—the sociological irrelevance
of the father, the absence of any ideas about
physiological procreation, and the strange and
complicated system of marriage, matrilineal and
patrilocal at the same time.*
1For a full statement of the psychology and
sociology of kinship and descent see articles on “the
Psychology of Sex and the Foundations of Kinship in
Primitive Societies”, ‘“Psycho-analysis and Anthro-
pology”, “Complex and Myth in Mother Right”, all
three in the psychological journal, Psyche, Oct. 1923,
April, 1924, and Jan. 1925. The first article is in-
cluded in The Father in Primitive Psychology (Psyche
Miniature), 1926.
The sociological relevance of these accounts
of origins would become clear only to a Euro-
pean inquirer who had grasped the native legal
ideas about local citizenship and the hereditary
rights to territory, fishing grounds, and local
pursuits. For according to the legal principles
of the tribe all such rights are the monopolies of
the local community, and only people descendent
in the female line from the original ancestress
are entitled to them. If the European were
told further that, besides the first place of emer-
gence, there are several other ‘holes’ in the same
village, he would become still more baffled until,
by a careful study of concrete details and the
principles of native sociology, he became ac-
quainted with the idea of compound village com-
munities, i.e., Communities in which several sub-
clans have merged.
It is clear, then, that the myth conveys much
more to the native than is contained in the mere
story; that the story gives only the really rele-
vant concrete local differences; that the real
meaning, in fact the full account, is contained in
the traditional foundations of social organization;
and that this the native learns, not by listening
to the fragmentary mythical stories, but by living
within the social texture of his tribe. In other
words, it is the context of social life, it is the
gradual realization by the native of how every-
thing which he is told to do has its precedent
and pattern in bygone times, which brings home
to him the full account and the full meaning of
his myths of origin.
For an observer, therefore, it is necessary to
become fully acquainted with the social organiza-
tion of the natives if he wants really to grasp
its traditional aspect. ‘The short accounts, such
as those which are given about local origins, will
then become perfectly plain to him. He will
also clearly see that each of them is only a part,
and a rather insignificant one, of a much bigger
story, which cannot be read except from native
life. What really matters about such a story
is its social function. It conveys, expresses, and
strengthens the fundamental fact of the local
unity and of the kinship unity of the group of
people descendent from a common ancestress.
Combined with the conviction that only common
descent and emergence from the soil give full
rights to it, the story of origin literally contains
the legal charter of the community. ‘Thus, even
when the people of a vanquished community were
driven from their grounds by a hostile neigh-
bour their territory always remained intact for
them ; and they were always, after a lapse of time
and when their peace ceremony had been con-
cluded, allowed to return to the original site,
rebuild their village, and cultivate their gardens
once more. The traditional feeling of a real
and intimate connection with the land; the con-
crete reality of seeing the actual spot of emer-
gence in the middle of the scenes of daily life;
the historical continuity of privileges, occupa-
tions, and distinctive characters running back into
the mythological first beginnings—all this ob-
viously makes for cohesion, for local patriotism,
for a feeling of union and kinship in the com-
munity. But although the narrative of original
emergence integrates and welds together the his-
torical tradition, the legal principles, and the
various customs, it must also be clearly kept in
mind that the original myth is but a small part
of the whole complex of traditional ideas. ‘Thus
on the one hand the reality of myth lies in its
social function; on the other hand, once we be-
gin to study the social function of myth, and so
to reconstruct its full meaning, we are gradually
led to build up the full theory of native social
organization.
One of the most interesting phenomena con-
nected with traditional precedent and character
is the adjustment of myth and mythological
principle to cases in which the very foundation
of such mythology is flagrantly violated. This
1Cf. the account given of these facts in the article
on “War and Weapons among the ‘Trobriand
Islanders”, Man, Jan. 1918; and in Professor Selig-
man’s Melanesians, pp. 663-668.
violation always takes place when the local claims
of an autochthonous clan, ie., a clan which has
emerged on the spot, are over-ridden by an immi-
grant clan. Then a conflict of principles is
created, for obviously the principle that land
and authority belong to those who are literally
born out of it does not leave room for any new-
comers. On the other hand, members of a sub-
clan of high rank who choose to settle down in a
new locality cannot very well be resisted by the
autochthons—using this word again in the literal
native mythological sense. ‘The result is that
there come into existence a special class of myth-
ological stories which justify and account for the
anomalous state of affairs. The strength of the
various mythological and legal principles is
manifested in that the myths of justification still
contain the antagonistic and logically irrecon-
cilable facts and points of view, and only try to
cover them by facile reconciliatory incident, ob-
viously manufactured ad hoc. ‘The study of such
stories is extremely interesting, both because it
gives us a deep insight into the native psychology
of tradition, and because it tempts us to recon-
struct the past history of the tribe, though we
must yield to the temptation with due caution
and scepticisin.
In the Trobriands we find that the higher the
rank of a totemic sub-clan, the greater its power
of expansion. Let us first state the facts and
then proceed to their interpretation. ‘The sub-
clan of the highest rank, the Tabalu sub-clan of
the Malasi clan, are found now ruling over a
number of villages: Omarakana, their main
capital; Kasanayi, the twin village of the capital ;
and Olivilevi, a village founded some three
‘reigns’ ago after a defeat of the capital. Two
villages, Omlamwaluwa, now extinct, and Day-
agila, no longer ruled by the Tabalu, also once
belonged to them. The same sub-clan, bearing
the same name and claiming the same descent,
but not keeping all the taboos of distinction and
not entitled to all the insignia, is found ruling
in the villages of Oyweyowa, Gumilababa,
Kavataria, and Kadawaga, all in the western part
of the archipelago, the last mentioned on the
small island of Kayleula. The village of
Tukwa’ukwa was but recently taken over by the
Tabalu some five ‘reigns’ ago. Finally, a sub-
clan of the same name and claiming affinity rules
over the two big and powerful communities of
the South, Sinaketa and Vakuta.
The second fact of importance referring to
these villages and their rulers is that the ruling
clan does not pretend to have emerged locally in
any of those communities in which its members
own territory, carry on local magic, and wield
power. They all claim to have emerged, accom-
panied by the original pig, from the historical
hole of Obukula on the north-western shore of
the island near the village of Laba’i. From there
they have, according to their traditions, spread
all over the district.t
In the traditions of this clan there are certain
definitely historical facts which must be clearly
disentangled and registered: the foundation of
the village of Olivilevi three ‘reigns’ ago, the
settlement of the Tabalu in Tukwa’ukwa five
‘reigns’ ago, the taking over of Vakuta some
seven or eight ‘reigns’ ago. By ‘reign’ I mean
the life-rule of one individual chief. Since in the
Trobriands, as no doubt in most matrilineal
tribes, a man is succeeded by his younger brother,
the average ‘reign’ is obviously much shorter than
the span of a generation and also much less
reliable as a measure of time, since in many
cases it need not be shorter. “These particular
historical tales, giving a full account of how,
when, by whom, and in what manner the settle-
ment was effected, are sober matter-of-fact state-
ments. ‘Thus it is possible to obtain from inde-
pendent informants the detailed account of how,
in the time of their fathers or grandfathers re-
spectively, the chief Bugwabwaga of Omara-
kana, after an unsuccessful war, had to flee with
all his community far south, to the usual spot
1The reader who wants to grasp these historical
and geographical details should consult the map fac-
ing p. 51 of the writer’s Argonauts of the Western
Pacific.
where a temporary village was erected. After
a couple of years he returned to perform the
peace-making ceremony and to rebuild Omara-
kana. His younger brother, however, did not
return with him, but erected a permanent village,
Olivilevi, and remained there. ‘The account,
which can be confirmed in the minutest detail
from any intelligent adult native in the district,
is obviously as reliable an historical statement as
one can obtain in any savage community. The
data about Tukwa’ukwa, Vakuta, and so on are
of similar nature.
What lifts the trustworthiness of such accounts
above any suspicion is their sociological founda-
tion. The flight after defeat is a general rule of
tribal usage; and the manner in which the other
villages become the seat of the highest rank peo-
ple, i.e., intermarriage between Tabalu women
and head men of other villages, is also character-
istic of their social life. The technique of this
proceeding is of considerable importance and
must be described in detail. Marriage is patri-
local in the Trobriands, so that the woman always
moves to her husband’s community. Economi-
cally, marriage entails the standing exchange of
food given by the wife’s family for valuables
supplied by the husband. Food is especially
plentiful in the central plains of Kiriwina, ruled
over by the chiefs of the highest rank from
Omarakana. The valuable shell ornaments, cov-
eted by the chiefs, are produced in the coastal
districts to the west and south. Economically,
therefore, the tendency always has been, and still
is, for women of high rank to marry influential
headmen in such villages as Gumilababa, Kava-
tarai, Tukwa’ukwa, Sinaketa, and Vakuta.
So far everything happens according to the
strict letter of tribal law. But once a Tabalu
woman has settled in her husband’s village, she
overshadows him by rank and very often by
influence. If she has a son or sons these are,
until puberty, legal members of their father’s
community. They are the most important males
in it. The father, as things are in the Tro-
briands, always wishes to keep them even after
puberty for reasons of personal affection; the
community feels that their whole status is being
raised thereby. The majority desire it; and the
minority, the rightful heirs to the headmen, his
brothers and his sisters’ sons, do not dare to
oppose. If, therefore, the sons of high rank have
no special reasons for returning to their rightful
village, that of their mother, they remain in the
father’s community and rule it. If they have
sisters these may also remain, marry within the
village, and thus start a new dynasty. Grad-
ually, though perhaps not at once, they succeed
to all the privileges, dignities, and functions
vested till then in the local headman. ‘They are
styled ‘masters’ of the village and of its lands,
they preside over the formal councils, they decide
upon all communal matters where a decision is
needed, and above all they take over the control
of local monopolies and local magic.
All the facts I have just reviewed are strictly
empirical observations; let us now look at the
legends adduced to cover them. According to
one story two sisters, Botabalu and Bonumakala,
came out of the original hole near Laba’i. They
went at once to the central district of Kiriwina,
and both settled in Omarakana. Here they
were welcomed by the local lady in charge of
magic and all the rights, and thus the mytholog-
ical sanction of their claims to the capital was
established. (To this point we shall have to
return again.) After a time they had a quarrel
about some banana leaves pertaining to the beau-
tiful fibre petticoats used for dress. ‘The elder
sister then ordered the younger to go, which
among the natives is a great insult. She said:
“T shall remain here and keep all the strict ta-
boos. You go and eat bush-pig, katakayluva fish.”
This is the reason why the chiefs in the coastal
districts, though in reality they have the same
rank, do not keep the same taboos. ‘The same
story is told by natives of the coastal villages with
the difference, however, that it is the younger
sister who orders her senior to remain in Omara-
kana and keep all the taboos, while she herself
goes to the west.
ore a
According to a Sinaketan version, there were
three original women of the Tabalu sub-clan,
the eldest remained in Kiriwina, the second set-
tled in Kuboma, the youngest came to Sinaketa
and brought with her the Kaloma shell discs,
which started the local industry.
All these observations refer only to one sub-
clan of the Malasi clan. The other sub-clans of
this clan, of which I have some dozen on record,
are all of low rank; are all local, that is, have not
immigrated into their present territory; and some
of them, those of Bwoytalu, belong to what might
be called the pariah or specially despised category
of people. Although they all bear the same
generic name, have the same common totem, and
on ceremonial occasions would range themselves
side by side with the people of the highest rank,
they are regarded by the natives as belonging to
an entirely different class.
Before I pass to the re-interpretation or his-
torical reconstruction of these facts, I shall pre-
sent the facts referring to the other clans. ‘The
Lukuba clan is perhaps the next in importance.
They count among their sub-clans two or three
which immediately follow in rank the Tabalu of
Omarakana. ‘The ancestors of the sub-clans are
called Mwauri, Mulobwaima, and Tudava; and
they all three came out from the same main hole
near Laba’i, out of which the four totemic ani-
mals emerged. “They moved afterwards to cer-
tain important centres in Kiriwina and in the
neighbouring islands of Kitava and Vakuta. As
we have seen, according to the main myth of
emergence, the Lukuba clan had the highest rank
at first, before the dog and pig incident reversed
the order. Moreover, most mythological person-
alities or animals belong to the Lukuba clan.
The great mythological culture hero Tudava,
reckoned also as ancestor by the sub-clan of that
name, is a Lukuba. The majority of the mythi-
cal heroes in connection with the inter-tribal
relations and the ceremonial forms of trading
belong also to the same clan.t_ Most of the
economic magic of the tribe also belongs to
people of this clan. In Vakuta, where they have
been recently overshadowed, if not displaced, by
the Tabalu, they are still able to assert them-
selves; they have still retained the monopoly
in magic; and, taking their stand upon mytholog-
ical tradition, the Lukuba still affirm their real
superiority to the usurpers. ‘There are far fewer
sub-clans of low rank among them than among
the Malasi.
About the third large totemic division, the
Lukwasisiga, there is much less to be said as re-
gards mythology and cultural or historic rdle.
In the main emergence myth they are either com-
pletely left out, or else their ancestral animal
or person is made to play an entirely insignificant
1Cf. Argonauts of the Western Pacific, p. 321.
part. They do not own any specially important
forms of magic and are conspicuously absent
from any mythological reference. The only
important part which they play is in the great
Tudava cycle in which the ogre Dokonikan is
made to belong to the Lukwasisiga totem. To
*this clan belongs the headman of the village
Kabwaku, who is also the chief of the district of
Tilataula. This district was always in a rela-
tion of potential hostility to the district of Kiri-
wina proper, and the chiefs of Tilataula were the
political rivals of the Tabalu, the people of the
highest rank. From time to time the two would
wage war. No matter which side was defeated
and had to fly, peace was always restored by a
ceremonial reconciliation, and the same relative
status once more obtained between the two
provinces. The chiefs of Omarakana always
retained superiority of rank and a sort of general
control over the hostile district, even after this
had been victorious. The chiefs of Kabwaku
were to a certain extent bound to execute their
orders; and more especially if a direct capital
punishment had to be meted out in olden days
the chief of Omarakana would delegate his po-
tential foe to carry it out. The real superiority
of the chiefs of Omarakana was due to their rank.
But to a great extent their power and the fear
with which they inspired all the other natives
was derived from the important sun and rain
magic which they wielded. Thus members of
a sub-clan of the Lukwasisiga were the po-
tential foes and the executive vassals, but in
war the equals, of the highest chiefs. For, as in
peace times the supremacy of the Tabalu would
remain unchallenged, so in war the Toliwaga of
Kabwaku were considered generally the more
efficient and redoubtable. The Lukwasisiga clan
were also on the whole regarded as land-lubbers
(kulita’ odila). One or two other sub-clans of
this clan were of rather high rank and inter-
married rather frequently with the Tabalu of
Omarakana.
The fourth clan, the Lukulabuta, includes
only sub-clans of low rank among its numbers.
They are the least numerous clan, and the only
magic with which they are associated is sorcery.
When we come to the historical interpretation
of these myths a fundamental question meets us
at the outset: must we regard the sub-clans which
figure in legend and myth as representing merely
the local branches of a homogeneous culture, or
can we ascribe to them a more ambitious signifi-
cance and regard them as standing for repre-
sentatives of various cultures, that is as units of
different migration waves? If the first alter-
native is accepted then all the myths, historical
data, and sociological facts refer simply to small
internal movements and changes, and there is
nothing to be added to them except what we
have said.
In support of the more ambitious hypothesis,
however, it might be urged that the main legend
of emergence places the origins of the four clans
in a very suggestive spot. Laba’i lies on the
northwestern beach, the only place open to sailors
who would have come from the direction of the
prevailing monsoon winds. Moreover, in all
the myths the drift of a migration, the trend of
cultural influence, the travels of culture heroes,
take place from north to south and generally,
though less uniformly, from west to east. This
is the direction which obtains in the great cycle
of Tudava stories; this is the direction which we
have found in the migration myths; this is the
direction which obtains in the majority of the
Kula legends. Thus the assumption is plausible
that a cultural influence has been spreading from
the northwestern shores of the archipelago, an
influence which can be traced as far east as
Woodlark Island, and as far south as the
D’Entrecasteaux Archipelago. This hypothesis
is suggested by the conflict element in some of the
myths, such as that between the dog and the pig,
between Tudava and Dokonikan, and between
the cannibal and non-cannibal brother. If we
then accept this hypothesis for what it is worth,
the following scheme emerges. “The oldest layer
would be represented by the Lukwasisiga and
Lukulabuta clans. The latter is the first to
emerge mythologically; while both are relatively
autochthonous in that they are not sailors, their
communities usually lie inland, and their occu-
pation is mainly agriculture. The generally hos-
tile attitude of the main Lukwasisiga sub-clan,
the Toliwaga, to what would be obviously the
latest immigrants, the Tabalu, might also be
made to fit into this hypothesis. It is again
plausible that the cannibal monster who is fought
by the innovator and cultural hero, Tudava,
belongs to the Lukwasisiga clan.
I have expressly stated that the sub-clans and
not the clans must be regarded as migration units.
For it is an incontrovertible fact that the big
clan, which comprises a number of sub-clans, is
but a loose social unit, split by important cultural
rifts. The Malasi clan, for instance, includes
the highest sub-clan, the Tabalu, as well as the
most despised sub-clans, Wabu’a and Gumsosopa
of Bwoytalu. The historical hypothesis of mi-
gratory units would still have to explain the
relation between sub-clans and clan. It seems
to me that the minor sub-clans must also have
been of a previous arrival, and that their totemic
assimilation is a by-product of a general process
of sociological reorganization which took place
after the strong and influential immigrants of the
Tudava and Tabalu type had arrived.
The historical reconstruction requires, there-
fore, a number of auxiliary hypotheses, each of
which must be regarded as plausible, but must
remain arbitrary; while each assumption adds a
considerable element of uncertainty. The whole
reconstruction is a mental game, attractive and
absorbing, often spontaneously obtruding itself
upon a field-worker, but always remaining outside
the field of observation and sound conclusion—
that is, if the field-worker keeps his powers of
observation and his sense of reality under control.
The scheme which I have here developed is the
one into which the facts of Trobriand sociology,
myth, and custom naturally arrange themselves.
Nevertheless, I do not attach any serious impor-
tance to it, and I do not believe that even a very
exhaustive knowledge of a district entitles the
ethnographer to anything but tentative and cau-
tious reconstructions. Perhaps a much wider
collation of such schemes might show their value,
or else prove their utter futility. It is only per-
haps as working hypotheses, stimulating to more
careful and minute collection of legend, of all
tradition, and of sociological difference, that such
schemes possess any importance whatever.
As far as the sociological theory of these
legends goes the historical reconstruction is irrele-
vant. Whatever the hidden reality of their un-
recorded past may be, myths serve to cover
certain inconsistencies created by historical events,
rather than to record these events exactly. ‘The
myths associated with the spread of the powerful
sub-clans show on certain points a fidelity to life
in that they record facts inconsistent with one
another. ‘The incidents by which this inconsis-
tency is obliterated, if not hidden, are most likely
fictitious; we have seen certain myths vary ac-
cording to the locality in which they are told.
In other cases the incidents bolster up non-
existent claims and rights.
The historical consideration of myth is inter-
esting, therefore, in that it shows that myth,
taken as a whole, cannot be sober dispassionate
history, since it is always made ad hoc to fulfil
a certain sociological function, to glorify a cer-
tain group, or to justify an anomalous status.
These considerations show us also that to the
native mind immediate history, semi-historic
legend, and unmixed myth flow into one another,
form a continuous sequence, and fulfil really the
same sociological function.
And this brings us once more to our original
contention that the really important thing about
the myth is its character of a retrospective, ever-
present, live actuality. It is to a native neither
a fictitious story, nor an account of a dead past;
it is a statement of a bigger reality still partially
alive. It is alive in that its precedent, its law,
its moral, still rule the social life of the natives.
It is clear that myth functions especially where
there is a sociological strain, such as in matters
of great difference in rank and power, matters
of precedence and subordination, and unquestion-
ably where profound historical changes have
taken place. So much can be asserted as a fact,
though it must always remain doubtful how far
We can carry out historical reconstruction from
the myth.
We can certainly discard all explanatory as
“well as all symbolic interpretations of these
myths of origin. The personages and beings
which we find in them are what they appear to
be on the surface, and not symbols of hidden
realities. As to any explanatory function of these
myths, there is no problem which they cover, no
curiosity which they satisfy, no theory which
they contain.
Chapter 3. Myths of Death and of the Recurrent Cycle of Life
In certain versions of origin myths the exist-
ence of humanity underground is compared to the
existence of human spirits after death in the
present-day spirit-world. Thus a mythological
rapprochement is made between the primeval
past and the immediate destiny of each man,
another of those links with life which we find so
important in the understanding of the psychology
and the cultural value of myth.
The parallel between primeval and spiritual
existence can be drawn even further. The ghosts
of the deceased move after death to the island of
Tuma. There they enter the earth through a
special hole—a sort of reversed proceeding to the
original emergence. Even more important is
the fact that after a span of spiritual existence
in Tuma, the nether world, an individual grows
old, grey, and wrinkled; and that then he has to
rejuvenate by sloughing his skin. Even so did
human beings in the old primeval times, when
they lived underground. When they first came
out on the surface they had not yet lost this
ability; men and women could live eternally
young.
They lost the faculty, however, by an appar-
ently trivial, yet important and fateful event.
Once upon a time there lived in the village of
Bwadela an old woman who dwelt with her
daughter and grand-daughter; three generations
of genuine matrilineal descent. The grand-
mother and grand-daughter went out one day to
bathe in the tidal creek. The girl remained on
the shore, while the old woman went away some
distance out of sight. She took off her skin,
which, carried by the tidal current, floated along
the creek until it stuck on a bush. ‘Transformed
into a young girl, she came back to her grand-
daughter. The latter did not recognize her; she
was afraid of her, and bade her begone. ‘The
old woman, mortified and angry, went back to
her bathing place, searched for her old skin,
put it on again, and returned to her grand-
daughter. ‘This time she was recognized and
thus greeted: ‘“‘A young girl came here: I was
afraid; I chased her away.” Said the grand-
mother: ‘‘No, you didn’t want to recognize me.
Well, you will become old—I shall die.” ‘They
went home to where the daughter was preparing
the meal. The old woman spoke to her daugh-
ter: ‘I went to bathe; the tide carried my skin
away; your daughter did not recognise me; she
chased me away. I shall not slough my skin.
We shall all become old. We shall all die.”
After that men lost the power of changing
their skin and of remaining youthful. The only
animals who have retained the power of chang-
ing the skin are the ‘animals of the below—
snakes, crabs, iguanas, and lizards: this is be-
cause men also once lived under the ground.
These animals come out of the ground and they
still can change their skin. Had men lived
above, the ‘animals of the above’—birds, flying-
foxes, and insects—would also be able to change
their skins and renew their youth.
Here ends the myth as it is usually told.
Sometimes the natives will add other comments
drawing parallels between spirits and primitive
humanity; sometimes they will emphasize the
regeneration motive of the reptiles; sometimes
tell only the bare incident of the lost skin. The
story is, in itself, trivial and unimportant; and
it would appear so to any one who did not study
it against the background of the various ideas,
customs, and rites associated with death and
future life. The myth is obviously but a de-
veloped and dramatized belief in the previous
human power of rejuvenation and in its subse-
quent loss.
Thus, through the conflict between grand-
daughter and grandmother, human beings, one
and all, had to submit to the process of decay and
debility brought on by old age. This, however,
did not yet involve the full incidence of the in-
exorable fate which is the present lot of man;
for old age, bodily decay, and debility do not spell
death to the natives. In order to understand
the full cycle of their beliefs it is necessary to
study the factors of illness, decay, and death.
‘The native of the Trobriands is definitely an
optimist in his attitude to health and illness.
Strength, vigour, and bodily perfection are to
him the natural status which can only be affected
or upset by an accident or by a supernatural
cause. Small accidents such as excessive fatigue,
sunstroke, over-eating, or exposure may cause
minor and temporary ailments. By a spear in
battle, by poison, by a fall from a rock or a tree
a man may be maimed or killed. Whether these
accidents and others, such as drowning and the
attack of a crocodile or a shark, are entirely free
from sorcery is ever a debatable question to a
native. But there is no doubt whatever to him
that all serious and especially all fatal illnesses
are due to various forms and agencies of witch-
craft. The most prevalent of these is the ordi-
nary sorcery practised by wizards, who can pro-
duce by their spells and rites a number of ail-
ments covering well nigh the whole domain of
ordinary pathology, with the exception of very
rapid fulminating diseases and epidemics.
The source of witchcraft is always sought in
some influence coming from the south. ‘There
are two points in the Trobriand Archipelago at
which sorcery is said to have originated, or
rather to have been brought over from the
D’Entrecasteaux Archipelago. One of these is
the grove of Lawaywo between the villages of
Ba’u and Bwoytalu, and the other is the southern
island of Vakuta. Both these districts are still
considered the most redoubtable centres of witch-
craft.
The district of Bwoytalu occupies a specially
low social position in the island, inhabited as it
is by the best-wood carvers, the most expert fibre-
plaiters, and the eaters of such abominations as
stingaree and bush-pig. ‘These natives have been
endogamous for a long time, and they probably
represent the oldest layer of indigenous culture in
the island. To them sorcery was brought from
the southern archipelago by a crab. This ani-
mal is either depicted as emerging out of a hole
in the Lawaywo grove, or else as travelling by
the air and dropping from above at the same
place. About the time of its arrival a man and
a dog went out. ‘The crab was red, for it had
the sorcery within it. The dog saw it and tried
to bite it. Then the crab killed the dog, and
having done this, proceeded to kill the man. But
looking at him the crab became sorry, ‘its belly
was moved,’ and it brought him back to life.
The man then offered his murderer and saviour
a large payment, a pokala, and asked the crusta-
cean to give him the magic. This was done.
The man immediately made use of his sorcery to
kill his benefactor, the crab. He then proceeded
to kill, according to a rule observed or believed to
be observed until now, a near maternal relative.
After that he was in full possession of witch-
craft. The crabs at present are black, for sor-
cery has left them; they are, however, slow to
die, for once they were the masters of life and
of death.
A similar type of myth is told in the southern
island of Vakuta. They tell how a malicious
being of human shape, but not of human nature,
went into a piece of bamboo somewhere on the
northern shore of Normanby Island. ‘The piece
of bamboo drifted northwards till it was washed
ashore near the promontory of Yayvau or Vakuta.
A man from a neighbouring village of Kwadagila
heard a voice in the bamboo and he opened it.
The demon came out and taught him sorcery.
This, according to the informants in the south,
is the real starting point of black magic. It
went to the district of Ba’u in Bwoytalu from
Vakuta and not directly from the southern archi-
pelagoes. Another version of the Vakuta tradi-
tion maintains that the tauva’u came to Vakuta
not in a bamboo but by a grander arrangement.
At Sewatupa on the northern shore of Nor-
manby Island there stood a big tree in which
many of the malignant beings used to reside.
It was felled, and it tumbled right across the sea,
so that while its base remained on Normanby
Island the trunk and the branches came across
the sea and the top touched Vakuta. Hence
sorcery is most rampant in the southern archi-
pelago; the intervening sea is full of fish who
live in the branches and boughs of the tree; and
the place whence sorcery came to the Trobriands
is the southern beach of Vakuta. For in the
top of the tree there were three malignant beings,
two males and a female, and they gave some
magic to the inhabitants of the island.
In these mythical stories we have but one link
in the chain of beliefs which surround the final
destiny of human beings. ‘The mythical inci-
dents can be understood and their importance
realized only in connection with the full beliefs
in the power and nature of witchcraft, and with
the feelings and apprehensions regarding it. The
explicit stories about the advent of sorcery do not
quite exhaust or account for all the supernatural
dangers. Rapid and sudden disease and death
are, in native belief, brought about, not by the
male sorcerers, but by flying witches who act
differently and possess altogether a more super-
natural character. I was unable to find any
initial myth about the origin of this type of witch-
craft. On the other hand, the nature and the
whole proceedings of these witches are surrounded
by a cycle of beliefs which form what might be
called a standing or current myth. I shall not
repeat them in detail, for I have given a full
account in my book, the Argonauts of the West-
ern Pacific.* But it is important to realize that
the halo of supernatural powers surrounding
‘individuals who are believed to be witches gives
rise to a continuous flow of stories. Such stories
can be regarded as minor myths generated by the
strong belief in the supernatural powers. Similar
stories are also told about the male sorcerers, the
bwaga u.
Epidemics, finally, are ascribed to the direct
action of the malignant spirits, the tauva’u, who,
as we saw, are mythologically often regarded as
the source of all witchcraft. ‘These malignant
beings have a permanent abode in the south.
Occasionally they will move to the Trobriand
Archipelago, and, invisible to ordinary human
beings, they walk at night through the villages
rattling their ‘lime-gourds and clanking their
wooden sword clubs. Wherever this is heard
fear falls upon the inhabitants, for those whom
the tauva'u strike with their wooden weapons die,
and such an invasion is always associated with
death in masses. Leria, epidemic disease, obtains
then in the villages. The malignant spirits can
sometimes change into reptiles and then become
1Chap. X, passim: especially pp. 236-248, also
PP- 320, 321, 393.
visible to human eyes. It is not easy to distin-
guish such a reptile from an ordinary one, but it
is very important to do so, for a tauva’u, injured
or ill-treated, revenges himself by death.
Here, again, around this standing myth, around
this domestic tale of a happening which is not
placed in the past but still occurs, there cluster
innumerable concrete stories. Some of them even
occurred while I was in the Trobriands; there
was a severe dysentery once, and the first out-
break of what probably was Spanish influenza
in 1918. Many natives reported having heard
the tauva’u. A giant lizard was seen in Wawela;
the man who killed it died soon after, and the
epidemic broke out in the village. While I was
in Oburaku, and sickness was rife in the village,
a real tauva’u was seen by the crew of the boat
in which I was being paddled; a large multi-
coloured snake appeared on a mangrove, but van-
ished mysteriously as we came near. It was only
through my short-sightedness, and perhaps also
my ignorance of how to look for a tauva’u, that
I failed to observe this miracle myself. Such
and similar stories can be obtained by the score
from natives in all localities. A reptile of this
type should be put on a high platform and valu-
ables placed in front of it; and I have been
assured by natives who have actually witnessed
it that this is not infrequently done, though I
never have seen this myself. Again, a number of
women witches are said to have had intercourse
with tauva’u, and of one living at present this is
positively affirmed.
In the case of this belief we see how minor
myths are constantly generated by the big
schematic story. Thus with regard to all the
agencies of disease and death the belief, and the
explicit narratives which cover part of it, the
small concrete supernatural events constantly
registered by the natives, form one organic whole.
These beliefs are obviously not a theory or ex-
planation. On the one hand, they are the whole
complex of cultural practices, for sorcery is not
only believed to be practised, but actually is
practised, at least in its male form. On the other
hand, the complex under discussion covers the
whole pragmatic reaction of man towards dis-
ease and death; it expresses his emotions, his fore-
bodings; it influences his behaviour. The nature
of myth again appears to us as something very
far removed from the mere intellectual explana-
tion.
We are now in full possession of the native
ideas about the factors which in the past cut
short man’s power of rejuvenation, and which at
present cut short his very existence. “The connec-
tion, by the way, between the two losses is only
indirect. “The natives believe that although any
form of sorcery can reach the child, the youth,
or the man in the prime of life, as well as the
aged, yet old people are more easily stricken.
Thus the loss of rejuvenation at least prepared
the ground for sorcery.
But although there was a time when people
grew old and died, and thus became spirits, they
yet remained in the villages with the survivors—
even as now they stay around the dwellings
when they return to their village during the
annual feast of the milamala. But one day an
old woman-spirit who was living with her people
in the house crouched on the floor under one of
the bedstead platforms. Her daughter, who was
distributing food to the members of the family,
spilled some broth out of the coconut cup and
burnt the spirit, who expostulated and _ repri-
manded her daughter. ‘The latter replied: “I
thought you had gone away; I thought you were
only coming back at one time in the year during
the milamala.” ‘The spirit’s feelings were hurt.
She replied: “I shall go to Tuma and live
underneath.” She then took up a coconut, cut
it in half, kept the half with the three eyes, and
gave her daughter the other. “I am giving you
the half which is blind, and therefore you will
not see me. I am taking the half with the eyes,
and I shall see you when I come back with other
spirits.” This is the reason why the spirits are
invisible, though they themselves can see human
beings.
This myth contains a reference to the seasonal
feast of milamala, the period at which the spirits
return to their villages while festive celebrations
take place. A more explicit myth gives an ac-
count of how the milamala was instituted. A
woman of Kitava died leaving a pregnant daugh-
ter behind her. A son was born, but his mother
_ had not enough milk to feed him. As a man of
a neighbouring island was dying, she asked him
to take a message to her own mother in the land
of spirits, to the effect that the departed one
should bring food to her grandson. ‘The spirit-
woman filled her basket with spirit-food and
came back wailing as follows: “Whose food am
I carrying? That of my grandson to whom I
am going to give it; I am going to give him his
food.” She arrived on Bomagema beach in the
island of Kitava and put down the food. She
spoke to her daughter: “I bring the food; the
man told me I should bring it. But I am weak;
I fear that people may take me for a witch.” She
then roasted one of the yams and gave it to her
grandson. She went into the bush and made a
garden for her daughter. When she came back,
however, her daughter received a fright for the
spirit looked like a sorceress. She ordered her to
go away saying: “Return to Tuma, to the
spirit-land ; people will say that you are a witch.”
The spirit-mother complained: “Why do you
chase me away? I thought I would stay with
you and make gardens for my grandchild.” ‘The
daughter only replied: “Go away, return to
Tuma!” The old woman then took up a coco-
nut, split it in half, gave the blind half to her
daughter, and kept the half with eyes. She told
her that once a year, she and other spirits would
come back during the milamala and look at the
people in the villages, but remain invisible to
them. And this is how the annual feast came to
be what it is.
In order to understand these mythological
stories, it is indispensable to collate them with
native beliefs about the spirit-world, with the
practices during the milamala season, and with
the relations between the world of the living and
the world of the dead, such as exist in native
forms of spiritism.t After death every spirit
goes to the nether world in Tuma. He has to
pass at the entrance Topileta, the guardian of the
spirit world. ‘The new-comer offers some valu-
able gift, the spiritual part of the valuables with
which he had been bedecked at the time of dying.
When he arrives among the spirits he is received
by his friends and relatives who have previously
died, and he brings the news from the upper
world. He then settles down to spirit-life, which
is similar to earthly existence, though sometimes
1 An account of these facts has been already given
in an article on “Baloma Spirits of the Dead in the
Trobriand Islands” in the Journal of the Royal An-
thropological Institute, 1916.
its description is coloured by hopes and desires
and made into a sort of real Paradise. But even
those natives who describe it thus never show
any eagerness to reach it.
Communication between spirits and the living
is carried out in several ways. Many people
have seen spirits of their deceased relatives or
friends, especially in or near the island of Tuma.
Again, there are now, and seem to have been
from time immemorial, men and women who in
trances, or sometimes in sleep, go on long expedi-
tions to the nether world. ‘They take part in the
life of the spirits, and carry back and forth news,
items of information, and important messages.
Above all they are always ready to convey gifts
of food and valuables from the living to the
spirits. These people bring home to other men
and women the reality of the spirit world. They
also give a great deal of comfort to the survivors
who are ever eager to receive news from their
dear departed.
During the annual feast of the milamala, the
spirits return from Tuma to their villages. A
special high platform is erected for them to sit
upon, from which they can look down upon the
doings and amusements of their brethren. Food
is displayed in big quantities to gladden their
hearts, as well as those of the living citizens of
the community. During the day valuables are
placed on mats in front of the headman’s hut
and the huts of important wealthy people. A
number of taboos are observed in the village to
safeguard the inivisible spirits from injury. Hot
fluids must not be spilled, as the spirits might be
burned like the old woman in the myth. No
native may sit, cut wood within the village, play
about with spears or sticks, or throw missiles,
for fear of injuring a Baloma, a spirit. The
spirits, moreover, manifest their presence by
pleasant and unpleasant signs, and express their
satisfaction or the reverse. Slight annoyance is
sometimes shown by unpleasant smells, more
serious ill-humour is displayed in bad weather,
accidents, and damage to property. On such
occasions—as well as when an important medium
goes into a trance, or someone is near to death—
the spirit-world seems very near and real to the
natives. It is clear that myth fits into these
beliefs as an integral part of them. ‘There is a
close and direct parallel between, on the one
hand, the relations of man to spirit, as expressed
in present-day religious beliefs and experiences,
and, on the other hand, the various incidents of
the myth. Here again the myth can be regarded
as constituting the furthest background of a
continuous perspective which ranges from an
individual’s personal concerns, fears, and sorrows
at the one end, through the customary setting of
belief, through the many concrete cases told from
personal experience and memory of past genera-
tions, right back into the epoch where a similar
fact is imagined to have occurred for the first
time.
I have presented the facts and told the myths
in a manner which implies the existence of an
extensive and coherent scheme of beliefs. This
scheme does not exist, of course, in any explicit
form in the native folk-lore. But it does corre-
spond to a definite cultural reality, for all the
concrete manifestations of the natives’ beliefs,
feelings, and forebodings with reference to death
and after-life hang together and form a great
organic unit. The various stories and ideas just
summarized shade into one another, and the
natives spontaneously point out the parallels
and bring out the connections between them.
Myths, religious beliefs, and experiences in con-
nection with spirits and the supernatural are
really all parts of the same subject; the corre-
sponding pragmatic attitude is expressed in con-
duct by the attempts to commune with the nether
world. ‘The myths are but a part of the organic
whole; they are an explicit development into
narrative of certain crucial points in native belief.
When we examine the subjects which are thus
spun into stories we find that they all refer to
what might be called the specially unpleasant or
negative truths: the loss of rejuvenation, the
onset of disease, the loss of life by sorcery, the
withdrawal of the spirits from permanent con-
tact with men, and finally the partial communi-
cation re-established with them. We see also
that the myths of this cycle are more dramatic,
they also form a more consecutive, yet complex,
account than was the case with the myths of
origins. Without labouring the point, I think
that this is due to a deeper metaphysical refer-
ence, in other words, to a stronger emotional
appeal in stories which deal with human destiny,
as compared with sociological statements or
charters.
In any case we see that the point where myth
enters in these subjects is not to be explained by
any greater amount of curiosity or any more
problematic character, but rather by emotional
colouring and pragmatic importance. We have
found that the ideas elaborated by myth and spun
out into narrative are especially painful. In one
of the stories, that of the institution of the
milamala and the periodical return of the spirits,
it is the ceremonial behaviour of man, and the
taboos observed with regard to the spirits, which
are in question. ‘The subjects developed in these
myths are clear enough in themselves; there is no
need to ‘explain’ them, and the myth does not
even partially perform this function. What it
actually does is to transform an emotionally over-
whelming foreboding, behind which, even for a
native, there lurks the idea of an inevitable and
ruthless fatality. Myth presents, first of all, a
clear realization of this idea. In the second
place, it brings down a vague but great appre-
hension to the compass of a trivial, domestic
reality. The longed-for power of eternal youth
and the faculty of rejuvenation which gives im-
munity from decay and age, have been lost by a
small accident which it would have been in the
power of a child and a woman to prevent. The
separation from the beloved ones after death is
conceived as due to the careless handling of a
coconut cup and to a small altercation. Disease,
again, is conceived as something which came out
of a small animal, and originated through an
accidental meeting of a man, a dog, and a crab.
Elements of human error, of guilt, and of mis-
chance assume great proportions. Elements of
fate, of destiny, and of the inevitable are, on the
other hand, brought down to the dimension of
human mistakes.
In order to understand this, it is perhaps well
to realize that in his actual emotional attitude
towards death, whether his own or that of his
loved ones, the native is not completely guided
by his belief and his mythological ideas. His in-
tense fear of death, his strong desire to postpone
it, and his deep sorrow at the departure of be-
loved relatives belie the optimistic creed and the
easy reach of the beyond which is inherent in
native customs, ideas, and ritual. After death
has occurred, or at a time when death is threat-
ening, there is no mistaking the dim division of
shaking faith. In long conversations with sev-
eral seriously ill natives, and especially with my
consumptive friend Bagido’u, I felt, half-
expressed and roughly formulated, but still
unmistakable in them all, the same melancholy
sorrow at the transcience of life and all its good
things, the same dread of the inevitable end, and
the same questioning as to whether it could be
staved off indefinitely or at least postponed for
some little time. But again, the same people
would clutch at the hope given to them by their
beliefs. They would screen, with the vivid tex-
ture of their myths, stories, and beliefs about the
spirit world, the vast emotional void gaping be-
yond them.
Chapter 4. Myths of Magic
Let me discuss in more detail another class of
mythical stories, those connected with magic.
Magic, from many points of view, is the most
important and the most mysterious aspect of
primitive man’s pragmatic attitude towards real-
ity. It is one of the problems which are engaging
at present the most vivid and most controversial
interests of anthropologists. “The foundations of
this study have been laid by Sir James Frazer
who has also erected a magnificent edifice thereon
in his famous theory of magic.
Magic plays such a great part in northwest
Melanesia that even a superficial observer must
soon realize its enormous sway. Its incidence,
however, is not very clear at first sight. Al-
though it seems to crop up everywhere, there are
certain highly important and vital activities from
which magic is conspicuously absent.
No native would ever make a yam or taro
garden without magic. Yet certain important
types of planting, such as the raising of the coco-
nut, the cultivation of the banana, of the mango,
and of the bread-fruit, are devoid of magic. Fish-
ing, the economic activity only second in impor-
tance to agriculture, has in some of its forms a
highly developed magic. Thus the dangerous
fishing of the shark, the pursuit of the uncertain
kalala or of the to’ulam are smothered in magic.
The equally vital, but easy and reliable method
of fishing by poison has no magic whatever. In
the construction of the canoe—an enterprise sur-
rounded with technical difficulties, requiring
organized labour, and leading to an ever-danger-
ous pursuit—the ritual is complex, deeply asso-
ciated with the work, and regarded as absolutely
indispensable. In the construction of houses,
technically quite as difficult a pursuit, but involv-
ing neither danger, nor chance, nor yet such
complex forms of co-operation as the canoe, there
is no magic whatever associated with the work.
Wood-carving, an industrial activity of the
greatest importance, is carried on in certain com-
munities as a universal trade, learnt in childhood,
and practised by everyone. In these communi-
ties there is no magic of carving at all. A differ-
ent type of artistic sculpture in ebony and hard-
wood, practised only by people of special technical
and artistic ability all over the district, has, on
the other hand, its magic, which is considered as
the main source of skill and inspiration. In trade,
a ceremonial form of exchange known as the Kula
is surrounded by important magical ritual; while
w
on the other hand, certain minor forms of barter
of a purely commercial nature are without any
magic at all. Pursuits such as war and love, as
well as certain forces of destiny and nature such
as disease, wind, and weather are in native be-
lief almost completely governed by magical forces.
Even this rapid survey leads us to an important
generalization which will serve as a convenient
starting-point. We find magic wherever the ele-»
ments of chance and accident, and the emotional
play between hope and fear have a wide and
extensive range. We do not find magic wherever
the pursuit is certain, reliable, and well under
the control of rational methods and technological
processes. Further, we find magic where the ele- °
ment of danger is conspicuous. We do not find
it wherever absolute safety eliminates any ele-
ments of foreboding. ‘This is the psychological
factor. But magic also fulfils another and highly
important sociological function. As I have tried
to show elsewhere, magic is an active element in
the organization of labour and in its systematic
arrangement. It also provides the main con-
trolling power in the pursuit of game. ‘The
integral cultural function of magic, therefore,
consists in the bridging-over of gaps and inade-
quacies in highly important activities not yet
completely mastered by man. In order to achieve
this end, magic supplies primitive man with a
firm belief in his power of succeeding; it provides
\
him also with a definite mental and pragmatic
technique wherever his ordinary means fail him.
/ It thus enables man to carry out with confidence
his most vital tasks, and to maintain his poise and
his mental integrity under circumstances which,
without the help of magic, would demoralize him
by despair and anxiety, by fear and hatred, by
unrequited love and impotent hate.
Magic is thus akin to science in that it always
has a definite aim intimately associated with hu-
man instincts, needs, and pursuits. The magic
art is directed towards the attainment of practical
ends; like any other art or craft it is also governed
by theory, and by a system of principles which
dictate the manner in which the act has to be
performed in order to be effective. Thus magic
and science show a number of similarities, and,
with Sir James Frazer, we can appropriately call
| magic a pseudo-science.
Let us look more closely at the nature of the
magic art. Magic, in all its forms, is composed
of three essential ingredients. In its performance
there always enter certain words, spoken or
chanted; certain ceremonial actions are always
carried out; and there is always an officiating
minister of the ceremony. In analyzing, there-
fore, the nature of magic, we have to distinguish
the formula,”the rite, and the condition of the
» performer. It may be said at once that in the
part of Melanesia with which we are concerned,
_the spell is by far the most important constituent
of magic. To the natives, knowledge of magic
means the knowledge of the spell; and in any act
of witchcraft the ritual centres round the utter-
ance of the spell. The rite and the competence
of the performer are merely conditioning factors
which serve for the proper preservation and
launching of the spell. This is very important
from the point of view of our present discussion,
for the magical spell stands in close relation to
traditional lore and more especially to mythology.
In the case of almost all types of magic we find
some story accounting for its existence. Such a
story tells when and where that particular magi-
cal formula entered the possession of man, how
it became the property of a local group, how it
passed from one to another. But such a story is
not the story of magical origins. Magic never
‘originated’; it never was created or invented.
All magic simply was from the beginning, as an
essential adjunct to all those things and processes
which vitally interest man and yet elude his nor-
mal rational efforts. “The spell, the rite, and the
object which they govern are coeval.
Thus the essence of all magic is its traditional
integrity. Magic can only be efficient if it has
1See Argonauts of the Western Pacific pp. 329,
4or, et seq., and pp. 69-78 of “Magic, Science and
Religion” in Science, Religion and Reality, Essays by
Varicus Authors (1925).
been transmitted without loss and without flaw
from one generation to the other, till it has come
down from primeval times to the present per-
former. Magic, therefore, requires a pedigree,
a sort of traditional passport in its travel across
time. This is supplied by the myth of magic.
The manner in which myth endows the perform-
ance of magic with worth and validity, in which
myth blends with the belief in magical efficiency,
will be best illustrated by a concrete example.
As we know, love and the attractions of the
other sex play an important réle in the life of
these Melanesians. Like many races of the South
Seas they are very free and easy in their con-
duct, especially before marriage. Adultery, how-
ever, is a punishable offence, and relations within
the same totemic clan are strictly forbidden. But
the greatest crime in the eyes of the natives is
any form of incest. Even the bare idea of such a
trespass between brother and sister fills them with
violent horror. Brother and sister, united by the
nearest bond of kinship in this matriarchal so-
ciety, may not even converse freely, must never
joke or smile at one another, and any allusion to
one of them in the presence of the other is con-
sidered extremely bad taste. Outside the clan,
however, freedom is great, and the pursuit of love
assumes a variety of interesting and even attrac-
tive forms.
All sexual attraction and all power of seduc-
tion are believed to reside in the magic of love.
This magic the natives regard as founded in a
dramatic occurrence of the past, told in a strange,
tragic myth of brother and sister incest, to which
I can only refer briefly here.t The two young
people lived in a village with their mother, and
by an accident the girl inhaled a strong love de-
coction, prepared by her brother for someone
else. Mad with passion, she chased him and
seduced him on a lonely beach. Overcome by
shame and remorse, they forsook food and drink,
and died together in a grotto. An aromatic herb
grew through their inlaced skeletons, and this
herb forms the most powerful ingredient in the
substances compounded together and used in love
magic.
It can be said that the myth of magic, even
more than the other types of savage myth, justi-
fies the sociological claims of the wielder, shapes
the ritual, and vouches for the truth of the belief
in supplying the pattern of the subsequent mirac-
ulous confirmation.
Our discovery of this cultural function of
magical myth fully endorses the brilliant theory
of the origins of power and kingship developed by
Sir James Frazer in the early parts of his Golden
1For the complete account of this myth see the
author’s Sex and Repression in Primitive Society
(1926), where its full sociological bearings are dis-
cussed.
Bough. According to Sir James, the beginnings
of social supremacy are due primarily to magic.
By showing how the efficacy of magic is associated
with local claims, sociological affiliation, and
direct descent, we have been able to forge another
link in the chain of causes which connect tradi-
tion, magic, and social power.
Chapter 5. Conclusion
Throughout this book I have attempted to
prove that myth is above all a cultural force;
but it is not only that. It is obviously also a
narrative, and thus it has its literary aspect—an
aspect which has been unduly emphasized by most
scholars, but which, nevertheless, should not be
completely neglected. Myth contains germs of
the future epic, romance, and tragedy; and it
has been used in them by the creative genius of
peoples and by the conscious art of civilization.
We have seen that some myths are but dry and
succinct statements with scarcely any nexus and
no dramatic incident; others, like the myth of
love or the myth of canoe magic and of overseas
sailing, are eminently dramatic stories. Did
space permit, I could repeat a long and elaborate
saga of the culture hero Tudava, who slays an
ogre, avenges his mother, and carries out a num-
ber of cultural tasks. Comparing such stories, it
1For one of the main episodes of the myth of
Tudava, see pp. 209-210 of the author’s “Complex and
Myth in Mother Right” in Psyche, Vol. V., Jan., 1925.
might be possible to show why myth lends itself
in certain of its forms to subsequent literary elabo-
ration, and why certain other of its forms remain
artistically sterile. Mere sociological precedence,
legal title, and vindication of lineage and local
claims do not lead far into the realm of human
emotions, and therefore lack the elements of lit-
erary value. Belief, on the other hand, whether
in magic or in religion, is closely associated with
the deepest desires of man, with his fears and
hopes, with his passions and sentiments. Myths
of love and of death, stories of the loss of immor-
tality, of the passing of the Golden Age, and of
the banishment from Paradise, myths of incest
and of sorcery play with the very elements which
enter into the artistic forms of tragedy, of lyric,
and of romantic narrative. Our theory, the
theory of the cultural function of myth, account-
ing as it does for its intimate relation to belief
and showing the close connection between ritual
‘and tradition, could help us to deepen our under-
standing of the literary possibilities of savage
story. But this subject, however fascinating,
cannot be further elaborated here.
In our opening remarks two current theories
of myth were discredited and discarded: the
view that myth is a rhapsodic rendering of nat-
ural phenomena, and Andrew Lang’s doctrine
that myth is essentially an explanation, a sort of
primitive science. Our treatment has shown that
neither of these mental attitudes is dominant in
primitive culture; that neither can explain the
form of primitive sacred stories, their sociological
context, or their cultural function. But once we
have realized that myth serves principally to
establish a sociological charter, or a retrospective
moral pattern of behaviour, or the primeval su-
preme miracle of magic—it becomes clear that
elements both of explanation and of interest in
nature must be found in sacred legends. For a
precedent accounts for subsequent cases, though
it does so through an order of ideas entirely dif-
ferent from the scientific relation of cause and
effect, of motive and consequence. ‘The interest
in nature, again, is obvious if we realize how
important is the mythology of magic, and how
definitely magic clings to the economic concerns
of man. In this, however, mythology is very
far from a disinterested and contemplative rhap-
sody about natural phenomena. Between myth
and nature two links must be interpolated: man’s
pragmatic interest in certain aspects of the outer
world, and his need of supplementing rational
and empirical control of certain phenomena by
magic.
Let me state once more that I have dealt in
this book with savage myth, and not with the
myth of culture. I believe that the study of
mythology as it functions and works in primitive
societies should anticipate the conclusions drawn
from the material of higher civilizations. Some
of this material has come down to us only in
isolated literary texts, without its setting in ac-
tual life, without its social context. Such is the
mythology of the ancient classical peoples and of
the dead civilizations of the Orient. In the
study of myth the classical scholar must learn
from the anthropologist.
The science of myth in living higher cultures,
such as the present civilizations of India, Japan,
China, and last but not least, our own, might
well be inspired by the comparative study of
primitive folk-lore; and in its turn civilized cul-
ture could furnish important additions and ex-
planations to savage mythology. This subject is
very much beyond the scope of the present study.
I do, however, want to emphasize the fact that
anthropology should be not only the study of
savage custom in the light of our mentality and
our culture, but also the study of our own men-
tality in the distant perspective borrowed from
Stone Age man. By dwelling mentally for some
time among people of a much simpler culture
than our own, we may be able to see ourselves
from a distance, we may be able to gain a new
sense of proportion with regard to our own insti-
tutions, beliefs, and customs. If anthropology
could thus inspire us with some sense of propor-
tion, and supply us with a finer sense of humour,
it might justly claim to be a very great science.
I have now completed the survey of facts and
the range of conclusions; it only remains to sum-
marize them briefly. I have tried to show that
folk-lore, the stories handed on in a native com-
munity, live in the cultural context of tribal life
and not merely in narrative. By this I mean that
the ideas, emotions, and desires associated with a
Ziven story are experienced not only when the
story is told, but also when in certain customs,
moral rules, or ritual proceedings, the counterpart
of the story is enacted. And here a considerable
difference is discovered between the several types
of story. While in the mere fireside tale the
sociological context is narrow, the legend enters
much more deeply into the tribal life of the com-
munity, and the myth plays a most important
function. Myth, as a statement. of primeval
reality which still lives in present-day life and as
a justification by precedent, supplies a retrospec-
tive pattern of moral values, sociological order,
and magical belief. It is, therefore, neither a
mere narrative, nor a form of science, nor a
branch of art or history, nor an explanatory tale.
It fulfils a function sui generis closely connected
with the nature of tradition, with the continuity
of culture, with the relation between age and
youth, and with the human attitude towards the
past. The function of myth, briefly, is to
strengthen tradition and endow it with a greater
value and prestige by tracing it back to a higher,
ge
better, more supernatural reality of initial events.
Myth is, therefore, an indispensable ingredient
of all culture. It is, as we have seen, constantly
regenerated; every historical change creates its
mythology, which is, however, but indirectly re-
lated to historical fact. / Myth is a constant_by-
product of living faith, which is inneed of
miracles; of sociological status, which demands
precedent; of moral rule, which requires sanction.
We have made, perhaps, a too ambitious at-
tempt to give a new definition of myth. Our
conclusions imply a new method of treating the
science of folk-lore, for we have shown that it
cannot be independent of ritual, of sociology, or
even of material culture. Folk-tales, legends, and
myths must be lifted from their flat existence on
paper, and placed in the three-dimensional reality
of full life. As regards anthropological field-
work, we are obviously demanding a new method
of collecting evidence. The anthropologist must
relinquish his comfortable position in the long
chair on the verandah of the missionary com-
pound, Government station, or planter’s bunga-
low, where, armed with pencil and notebook and
at times with a whisky and soda, he has been
accustomed to collect statements from informants,
write down stories, and fill out sheets of paper
with savage texts. He must go out into the vil-
lages, and see the natives at work in gardens, on
the beach, in the jungle; he must sail with them
to distant sandbanks and to foreign tribes, and
observe them in fishing, trading, and ceremonial
overseas expeditions. Information must come to
him full-flavoured from his own observations of
native life, and not be squeezed out of reluctant
informants as a trickle of talk. Field-work can
be done first, or second-hand even among savages,
in the middle of pile-dwellings, not far from
actual cannibalism and head-hunting. Open-air
anthropology, as opposed to hearsay note-taking,
is hard work, but it is also great fun. Only such
anthropology can give us the all-round vision of
primitive man and of primitive culture. Such
anthropology shows us, as regards myth, that far
from being an idle mental pursuit, it is a vital
ingredient of practical relation to the environ-
ment.
The claims and the merits, however, are not
mine, but are due once more to Sir James Frazer.
The Golden Bough contains the theory of the
ritual and sociological function of myth, to which
I have been able to make but a small contribution,
in that I could test, prove, and document it in
my field-work. ‘This theory is implied in Fra-
zer’s treatment of magic; in his masterly expo-
sition of the great importance of agricultural
rites; in the central place which the cults of
vegetation and fertility occupy in the volumes of
Adonis, Attis, Osiris, and in those on the Spirits
of the Corn and of the Wild. In these works,
as in so many of his other writings, Sir James
Frazer has established the intimate relation be-
tween the word and the deed in primitive faith;
he has shown that the words of the story and of
the spell, and the acts of ritual and of ceremony
are the two aspects of primitive belief. The deep
philosophic query propounded by Faust, as to
the primacy of the word or of the deed, ap-
pears to us fallacious. ‘The beginning of man is
the beginning of articulate thought and of thought
put into action. Without words, whether framed
in sober rational conversation, or launched in
magical spells, or used to entreat superior divini-
ties, man would not have been able to embark
upon his great Odyssey of cultural adventure and
achievement.